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I'm a good bowler, and a good man.

No offense to director Nora Ephron, who consistently delivers safe, palatable romantic comedies for the Meg Ryan sect, but the premise of Sony’s Lost In Austen sounds insufferable. Picture this. A modern New York woman somehow finds herself transported into Austen’s classic story. How does she get there? How will they squeeze fresh laughs out of a tired fish-out-of-water storyline?

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