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Writing is a passion of mine and I hope my writing makes your day a little better.

So this is a tv show idea I have that I think would be funny with the right cast. It's only an idea, but an idea I think is pretty cool. At least, it's an idea ... for now. Please enjoy!

Episode Synopsis: We are introduced to the “boys” and see them in their lives now. We also see the manager and the question that him and the boys have is why now? The documentary tells the 28th anniversary of their boy band starting, 1988, is today. They end up getting together at a party. They decided to become a group of 5 friends once again and that ends the first episode of the half-hour show, “Band of 5”.

TEASER

Scene A

FADE IN:

INT. MANAGER’S OFFICE – DAY

(MANAGER SEAN, DOCUMENTARY CREW)

A DARK ROOM EXCEPT THE LIGHT COMING IN FROM THE WINDOW BEHIND THE MANAGER, SEAN, SITTING IN A CHAIR FACING THE WINDOW.

SEAN

“Back in the day, me and the boys hung out all the time. Anywhere, any

time – We were together. I loved those boys like they were my own sons.

Sure, I was their manager, but I was also a friend to them. Hell, they even

told me so – numerous times. They were all your typical boy band…

then they simply (SEAN TURNS, FACING THE CAMERA) snapped.

Eventually they weren’t acting like themselves anymore. Fame … had changed

them. (LEANS CLOSER TO THE CAMERA) They accustomed themselves to the

warmth it provided. Being out of the spotlight made them

feel like they were in a world made of glass, made by fame, and

fortune. (PICKS UP A SNOWGLOBE) Much like this snow globe.

Then, when they were no longer relevant, their world simply (DROPS

SNOW GLOBE) GLASS SHATTERS shattered.”

DOCUMENTARY CREW (OFF SCREEN)

“Did you have to actually break your snow globe?”

SEAN

No. (WORRIED) That was a gift from my ex-wife.

She’s gonna kill me … again.”

DOCUMENTARY CREW (OFF SCREEN)

“Again?”

SEAN

“Yeah. When we were married, she couldn’t cook to

save her life. One night, her cooking almost took mine. Sent

me to a hospital.”

DOCUMENTARY CREW (OFF SCREEN)

“What did she make?”

SEAN

“She – (GAGS) She m – (GAGS) She – (GAGS, PAUSES) …

(LOOKS DISGUSTED) She micro waved a TV dinner.

(LOOKS AWAY, PAUSES, THEN LOOKS BACK) I still

can’t look at one without thinking about those heart

monitor thingies. (EXCITEDLY) THOSE THINGIES!!”

END TEASER

CUT TO OPENING TITLES

ACT ONE

Scene B

CUT TO:

INT. /EXT. KENT AND MARTHA’S HOME – DAY

(KENT, MARTHA, JOSH, AISHA, DOCUMENTARY CREW)

KENT AND MARTHA ARE SEEN SITTING NEXT TO EACH OTHER WHILE SOME

FOOTAGE OF THEM PLAYING WITH THEIR CHILDREN, KENT JR. AND AISHA, PLAYS.

KENT

“Hello. I’m Kent.”

MARTHA

“Hello. I’m his wife, Martha.”

KENT

“I was the “nerdy” guy from “5 Trendy Guys”. Now,

I am a lawyer, still kinda “nerdy”. We have two beautiful

kids, Kent Jr. and Aisha. And I love my family very much.”

MARTHA

“My friend works there and she says he brags about us

all the time. I’m sure he leaves out the fact that I am

also a “nerd” and exaggerates how beautiful I am.”

KENT

“In order: I do not leave that out and I don’t exaggerate. I do

believe she is the most gorgeous woman on the planet –

nay (HOLDS UP HAND) – the world.”

DOCUMENTARY CREW (OFF SCREEN)

“So when did you two meet?”

KENT

“Uh … we met about two years after the band broke

up. It was magical. We were in college, at the library,

going for the same book.”

MARTHA

““The Sciences Behind The Stars”. I loved that book.”

KENT AND MARTHA HOLD HANDS

DOCUMENTARY CREW (OFF SCREEN)

“So how did you end up a lawyer?”

KENT

“Oh. I changed my major from Astronomy to Law.

I realized I liked sticking up for the little guy.

(PAUSES, THEN QUISITIVELY) Wh – Why now are

you guys making a documentary about us?”

SCENE C

CUT TO:

INT. BOBBY’S RESTAURANT “BOBBY’S PLACE” – DAY

(BOBBY, MOLLY, MACK, DOCUMENTARY CREW)

BOBBY AND MOLLY ARE SITTING ON THEIR COUCH HOLDING THEIR BABY, MACK, WHILE FOOTAGE OF THEM PLAYING WITH THE BABY PLAYS.

BOBBY

“Hey there. I’m Bobby.”

MOLLY

“I’m his wife, Molly.”

BOBBY

“I was the “bad boy” from “5 Trendy Guys”. Now, I am

the owner of a restaurant called “Bobby’s Place”. I have a

beautiful baby named, Mack.”

MOLLY

“I was the carrier of Mack for 10 months.”

DOCUMENTARY CREW (OFF SCREEN)

(CONFUSED) “10 months?”

MOLLY

(NONCHALANTLY) Yeah. I carried him for

10 months. I swear, this one (LOOKS AT MACK)

did not want to leave my womb. (IN BABY TALK)

Did you, sweetie? No, you didn’t. Nope. Wanted to be

with Mama, didn’t you? Yes, you did. Yes, you did.”

BOBBY LOOKS AT THE CAMERA AND PRENTENDS TO CUT HIS THROAT. MOLLY NOTICES AND MAKES A STERN FACE AT HIM.

BOBBY

(NERVOUSLY) “So, uh, why are you guys doing this … thing now, huh?”

SCENE D

CUT TO:

EXT. CONCERT VENUE – DAY

(STEVE, SHEILA, DOCUMENTARY CREW)

STEVE AND SHEILA ARE WAITING FOR TICKETS OUTSIDE A CONCERT VENUE.

STEVE

“Hi. I’m Steve.”

SHEILA IS NOT PAYING ATTENTION.

“Sheila? (STEVE NUDGES HER) Honey?”

SHEILA

(DISINTERESTED) “What? Oh, yeah. My name is Sheila and

I want to be America’s next American Idol.”

STEVE

“No, honey. This is a documentary crew. (GESTURES TO

THE CAMERA) They’re gonna be filming us.”

SHEILA

(DISINTERESTED) “I’m in it to win it. Whoo.”

DOCUMENTARY CREW

“Why don’t you tell us who you were in the band and

what you do now?”

STEVE

“Alright. I was the “deep” guy in the band. You know,

the guy that all the girls went crazy for because I

was the one who would always want to listen to whatever

they had to say.”

STEVE POINTS TO HIS GIRLFRIEND BUT SHE DOESN’T PAY ANY

ATTENTION TO HIM.

“Now, I am a police officer.”

DOCUMENTARY CREW

“How did that happen?”

STEVE

“Well, I was so good at listening to what other people

had to say, I started listening to what I

(HE POINTS TO HIMSELF) had to say. Turns out,

I wanted to help people. I WANT to make sure people are

protected and I take pride knowing that I am that protection.”

SHEILA

“I use protection, Mommy. We’re careful. All the time.”

STEVE LOOKS NERVOUSLY AT SHEILA AND STARTS

SWEATING PROFUSELY.

STEVE

(NERVOUS) So – so how – how did um … you guys come about

doing this uh documentary now? (SHOCKED) Wait

a minute.”

SCENE E

CUT TO:

INT. LUKE’S HOME/ KINDERGARTEN CLASSROOM – DAY

(LUKE, GREG, RANDOM CHILDREN, DOCUMENTARY CREW)

LUKE AND GREG ARE ON THEIR COUCH AT LUKE’S HOME AND FOOTAGE OF LUKE IN THE CLASSROOM WITH HIS CLASS.

LUKE

“Hello. My name is Luke.”

GREG

“And I am Greg, his fiancé.”

LUKE

“I was the “hot” guy in “5 Trendy Guys”. I think

I still am.”

LUKE AND GREG LAUGH. THEY HOLD HANDS.

“Now, I am a teacher. I teach kindergarten kids.

I love my job. I get to teach the kids of this new

generation about how people can be whatever they

want and it’s okay. Plus, I get to teach them the

fundamental basics of education.”

GREG

“Now if he could only teach them not to pick up

dead things in the park.”

GREG LAUGHS, LUKE SQUEEZES GREG’S HAND,

GREG WINCES IN PAIN.

DOCUMENTARY CREW (OFF SCREEN)

“So how did you go from a pop boy band,

to a teacher?”

LUKE

“Ah. Good question. Well, I had some money saved

from the boy band days and I went to college.

I knew I wanted to teach little kids because a

teacher I had inspired me to become a teacher, actually.”

DOCUMENTARY CREW (OFF SCREEN)

“Was the teacher that good?”

LUKE

“Oh, hell no. Mrs. Flameel was horrible. She

tried to out me to my parents … when I was four.”

LUKE BEGINS TO TEAR UP. GREG CONSOLES

HIM.

GREG

(WHISPERS TO CAMERA) “Mrs. Flameel was an

old lady who had it out for Luke. She’s kind of

a sore subject for him.”

LUKE IS CRYING. GREG MAKES A GESTURE TO THE SIDE WITH HIS HEAD.

DOCUMENTARY CREW (OFF SCREEN)

“Luke, why don’t you take a moment to compose yourself?”

CUT TO GREG ALONE ON THE COUCH.

GREG

“Look. Here’s the deal: Luke can be a

little emotional. Granted, this woman really did

a number on him. He can be a little too emotional

for his own good.”

GREG PROVIDES VIDEO OF LUKE CRYING AND BEING ESCORTED OUT OF A VIEWING OF “DEATH OF A SALESMAN”. ANOTHER VIDEO OF A CHILD ASKING LUKE “WHERE DOES TIME GO?”. ANOTHER VIDEO OF HIM CRYING, MAKING A SCENE ABOUT A THEATER RUNNING OUT OF BUTTER FOR THE POPCORN.

GREG

“I love Luke, but I wish he would “man-up” a little bit. Only flaw

he has, I’d say. That’s the man of my dreams, right there.”

LUKE WALKS IN, HAVING HEARD THE LAST FEW WORDS GREG SAID.

LUKE

(EXCITED, CRYING) “Oh my God! You’re the best

fiancé ever!!”

CUT TO A SNIFFLING LUKE BEING CONSOLED BY GREG.

LUKE

“So, why do you want to know about “5 Trendy Guys”?” (PAUSES,

GASPS) Has it been that long already?”

SCENE F

CUT TO:

INT. LUCILE AND JEFF’S HOUSE / EXT. LUCILE AND JEFF’S STORE – DAY

(LUCILE, JEFF, KENT, BOBBY, STEVE, LUKE, DOCUMENTARY CREW)

LUCILE AND JEFF ARE SITTING AT A TABLE IN HER HOUSE AND FOOTAGE OF THEM HOLDING HANDS AND WALKING IN FRONT OF THE STORE AT WHICH LUCILE AND JEFF WORK.

JEFF

“Hello, there. I am Jeff.”

LUCILE

“And I am Lucile, his fiancé.”

JEFF

“I was the “leader” of the band “5 Trendy Guys”. Now, I

am the manager of a store right here in town. Actually,

Lucile owns the store.”

LUCILE

“Funny story: We met at the employee of the month breakfast,

and I thought he was really cute. He was kinda nervous

around me and we just (PLACES HER HAND ON HIS KNEE)

hit it off. He was already the manager, employee of the month,

and then he was my boyfriend before I knew what happened.”

JEFF

“Yep. When I fell for her, I fell hard. (INNEUENDO

IMPLIED) Trust me, I did.”

LUCILE PLAYFULLY HITS JEFF ON THE HAND

LUCILE

“Jeff! You naughty boy. We can (AIR QUOTES) “talk”

about that later.”

DOCUMENTARY CREW (OFF SCREEN)

“I’m sorry if this comes out wrong, but (PAUSES)

I can’t help but notice that there is a little bit of an

age difference here. How does this work, exactly?”

JEFF

“Well, I can’t say that I don’t notice the age

difference …

(LUCILE’S FACE TURNS ANGRY)

But I don’t care about it.

(LUCILE’S FACE TURNS HAPPY)

I am in a relationship with a woman – nay – a

lady whom I love very much. She has me, I have her …

what more do I need than that?”

LUCILE

“Aw.”

LUCILE AND JEFF KISS.

JEFF

“So why are you guys doing this documentary now?”

DOCUMENTARY CREW (OFF SCREEN)

“Well, I’m sure you know that a certain anniversary is

coming up soon.”

JEFF

“I do.”

DOCUMENTARY CREW (OFF SCREEN)

“Exactly. With that in mind, somebody pitched an idea

to the network executives about a kind of documentary

style show about the lives of the guys from the band

“5 Trendy Guys” and what you all are up to now.”

JEFF

“Oh man! (EXCITEDLY) All the guys are gonna

be there?!”

CUT TO EACH OF THE GUYS ANSWERING THE QUESTION.

KENT

“Absolutely, I will!”

BOBBY

“Maybe?”

STEVE

“Sure.”

LUKE

“Only if you pay me.”

WE SEE EACH OF THE FIVE GUYS SAYING ONE WORD AND IT IS CUT TOGETHER TO MAKE THEM SAY: “THIS CAN ONLY BE AWESOME!”

END ACT ONE

ACT TWO

SCENE G

FADE IN:

OUTDOOR CELEBRATION FOR THE 28th ANNIVERSARY OF THE FORMING OF THE BAND “5 TRENDY GUYS” – DAY, LATE AFTERNOON

(KENT, MARTHA, BOBBY, MOLLY, STEVE, SHEILA, LUKE, GREG, JEFF, LUCILE, MANAGER SEAN, KENT JR, AISHA, MACK, RANDOM PEOPLE, DOCUMENTARY CREW)

KENT JR AND AISHA ARE PLAYING WITH OTHER KIDS, THE PARTNERS OF THE BAND MEMBERS ARE ALL TALKING TOGETHER, AND THE GUYS ARE TALKING WHICH TURNS INTO FIGHTING.

MARTHA

(TO HER KIDS) “Stay where your father and I can see you!

(TO THE OTHER PARTNERS) They grow up so fast. Do all you

can with this one (POINTS TO MACK) while he’s still small.”

MOLLY

“Oh, believe you me: I plan on that. He won’t grow up unless

I say so.”

SHEILA

“(DISINTERESTED, LOOKING AT PHONE) I’m old enough

to vote, I’m old enough to drink, mom.”

LUCILE

“No. No, you’re not.”

GREG

“You know, Luke and I are thinking about having a

little one of our own.”

LUCILE

“Oh! Adoption or surrogacy?”

GREG

“Oh, we don’t know yet. We would love to

have one as soon as possible, but we’re not sure if

we want to get married first or have the baby

first. Plus, I would kind of like it if Luke would just

(PAUSES) man-up before the baby arrives.”

MOLLY

“I know the feeling. Sometimes I wish that Bobby

would show me that he cares about the baby. I know

he cares about me, but he doesn’t seem to care about the baby.”

SHEILA

(DISINTERESTED, LOOKING AT PHONE) “I’m not pregnant

mommy. We use a condom every time.”

THE REST OF THE PARTNERS SLOWLY LOOK AT SHEILA.

CUT TO THE GUYS TALKING CLOSE BY

JEFF

(EXCITED) “Hey guys! How are all of you?”

STEVE

“Great! Just great. Got a new girlfriend. I love

her, she loves me. Things are great.”

JEFF

“Awesome! How about you, Kent?”

KENT

“Things are going really well. I have a beautiful wife,

two awesome, amazing children and it is wonderful.”

JEFF

“Great! You, Bobby?”

BOBBY

“Uh things are good. A wife, a new baby, and I

Can’t complain about nothing.”

JEFF

“Cool!”

BOBBY

(UNDER HIS BREATH) “Except this, right now.”

JEFF

“What was that?”

BOBBY

“Nothing.”

LUKE

“Well, I for one, am glad that we are all

together again and we are having a wonderful time.”

JEFF

“I hear that!”

LUKE

(UNDER HIS BREATH) “Surprised you can hear

me but you can’t hear your horrible singing.”

JEFF

“Okay. I heard that and it won’t stop today from

being a great day.”

BOBBY

“Oh really.

STEVE

“What is that supposed to mean, Bobby?”

BOBBY

“What that means is I don’t think today is a great

day. Not at all, fellas. See, this little reunion was not,

is not, and will be looked upon by TMZ as a not good

day.”

STEVE

“Why do you have to be such a pessimist, Bobby?”

BOBBY

“Because, Steve, you know – we ALL know – that

this band was having trouble before we broke up.

We were having trouble before the little incident.

We all had problems with each other and we still do.”

JEFF

“Bobby. I think you need to calm down before

something happens that you don’t want to have happen.”

BOBBY

(BOBBY MOVES CLOSER TO JEFF)

“You know, I have not missed the way you talk, Jeff.”

LUKE

(LUKE MOVES BETWEEN BOBBY AND JEFF)

“Now, Bobby. I don’t think we need to resort

to physical violence.

(LUKE MOTIONS TO BOBBY TO STEP BACK, THEN WINKS AT HIM.)

There’s really no need to HIT –”

(LUKE DECKS JEFF SQUARE IN THE JAW)

A FIGHT BREAKS OUT BETWEEN THE FIVE OF THEM. LUKE HITS JEFF, BOBBY HITS STEVE, JEFF AND STEVE FIGHT BACK. KENT TRIES TO BREAK THEM UP USING LEGAL TERMS TO NO AVAIL. KENT GETS KNOCKED BACK WHILE HE TRIES TO BREAK UP BOBBY AND STEVE WHEN HE FALLS ON A TABLE SETTING OFF A CHAIN REACTION THAT SENDS CAKE FLYING AT MOLLY AND MACK. BOBBY PUNCHES STEVE IN THE GUT CAUSING STEVE TO FALL TO THE GROUND. BOBBY SEES THE CAKE FLYING TOWARDS MOLLY AND MACK AND HE JUMPS IN FRONT OF THEM TO TRY TO SHIELD THEM. HE GETS MOST OF IT AND THE REST HITS SHEILA IN THE LAP. SHE STILL DOESN’T LOOK UP FROM HER PHONE. SHE FOLDS HER LEGS. THE FIGHT GETS BROKEN UP BY THE DOCUMENTARY CREW. THE MANAGER, SEAN, SHOWS UP.

SEAN

“Hey everybody. Traffic was a nightmare. Freeway

was a parking lot.

(SEAN READS THE SITUATION.)

Whoa. What, is this the 1992 Grammy’s all over again?”

FOOTAGE OF THE EVENT IS SHOWN. “5 TRENDY GUYS” GOT IN A FIGHT WITH ANOTHER BOY BAND AT THE TIME AND THEY ALL GOT THROWN OUT AND A NEW UP AND COMING BOY BAND WON THE GRAMMY.

END ACT TWO

ACT THREE

SCENE H

FADE IN:

A TENSE OUTDOOR CELEBRATION FOR THE 28th ANNIVERSARY OF THE FORMING OF THE BAND “5 TRENDY GUYS” – EVENING, SUNSET

(KENT, MARTHA, BOBBY, MOLLY, STEVE, SHEILA, LUKE, GREG, JEFF, LUCILE, MANAGER SEAN, KENT JR, AISHA, MACK, RANDOM PEOPLE, DOCUMENTARY CREW)

MARTHA IS SEEN COMFORTING KENT, LUCILE IS SEEN CONSOLING JEFF, SHEILA LOOKS UP FROM HER PHONE AND HUGS STEVE. AFTER A FEW SECONDS OF HUGGING HIM, SHE LOOKS AT HER PHONE BEHIND HIS BACK. HE TRIES TO BACK OUT OF IT BUT HE CAN’T. AISHA AND KENT JR ARE STILL PLAYING WITH OTHER KIDS. MOLLY HOLDS MACK AND IS SEEN WALKING UP TO BOBBY WITH CAKE AND FROSTING STILL ON HIM.

MOLLY

“Hey. (SHE PLACES HER HAND ON HIS SHOULDER. HE

PLACES HIS HAND ON HERS.) How are you doing?”

BOBBY

“Not so good. I got in a fight with some of my best

friends through a good portion of my life. Not to mention,

things could have gotten out of hand and hurt someone. Could

have hurt you two.” (HE TURNS TO HUG BOTH OF THEM.)

MOLLY

“Yeah, but it didn’t. Besides, I don’t think

you would have let anything happen to us.”

BOBBY

“Yeah. It was like I was taking a bullet for

the president. No, even better: I took a cake

for my family.” (HE KISSES THEM.)

MOLLY

“Yes, you did. And we thank you for that.

But, I think you would also take a cake

for those guys you were fighting with as well.”

BOBBY

“You know, what? You’re right. I would

take a cake or a bullet for those guys. Each

and every one of them. I think I just let the

past ruin any chance for happiness with them

in the present and in the future.”

MOLLY

“Why don’t you go over there and make up with them?

I think they would really like that.”

(BOBBY KISSES THEM AGAIN AND HEADS FOR THE GUYS.)

MOLLY

(TO THE DOCUMENTARY CREW) “I know

he loves us. He just proved it.

I know that no matter what, he’ll be there

for us. Cake or a bullet, he’ll take it so we don’t have to.”

CUT TO LUKE AND GREG

GREG IS WALKING UP TO LUKE SITTING WITH A BAG OF ICE AGAINST HIS FACE.

GREG

“Hey there, Rocky”

LUKE

“I’m thinking I might come to regret starting

that fight.”

GREG

“I didn’t think you had started it.

(GREG SITS DOWN NEXT TO LUKE.)

Then I talked to the documentary crew and

it turns out you did start the fight.”

LUKE

“So (PAUSES) how much trouble am I

in with everyone?”

GREG

“Well, everyone kind of feels like the fight

was bound to happen sooner or later.

They were kind of glad it happened now

than later on when you all are good friends again.”

LUKE

“I admit. That surprises me.”

GREG

“To be honest, I’m glad you got in that fight.”

LUKE

“That surprises me more.

(LUKE TAKES THE BAG AWAY FROM HIS FACE.)

Why are you glad?”

GREG

“Okay. Please don’t get upset when I say this:

(HEISITANTLY) You could stand to be a bit

more manly.”

LUKE PUTS THE BAG ON HIS GROIN.

LUKE

“I would love to say that hit me right there,

but I don’t think you’re wrong. I think

I could be a bit more manly from time to time.

I guess I’m just a little more sensitive than

other guys.”

GREG

(UNDER HIS BREATH) “And women.”

LUKE

(PLAYFUL) “Greg. I got in a fight once today.

Don’t make me get in another one.”

GREG

“Sorry, sorry. Just having a little fun with you.

THEY KISS.

Hey. You know what else would make you more manly?

LUKE LOOKS AT GREG.

If you go over there and make up with the guys.”

LUKE STANDS UP.

LUKE

(SIGHS) “I suppose so. See you later, honey.” THEY HUG.

GREG

(TO THE DOCUMENTARY CREW) “I don’t

know why I was worried about him being

so sensitive in the first place.

ROLL FOOTAGE OF LUKE CRYING

I’ll take this man over any man any day.”

CUT TO KENT, STEVE, AND JEFF

JEFF IS HOLDING A BAG OF ICE ON HIS FACE. STEVE IS STANDING STRAIGHT SO HE DOESN’T HURT HIS STOMACH. KENT IS HOLDING A BAG OF ICE ON HIS BACK UNDER HIS SHIRT. BOBBY AND LUKE ARE WALKING UP TO THEM.

JEFF

(THROUGH THE PAIN) “Hey you two.

Come back for another round or have you had enough?”

LUKE

“Actually, we have come to apologize.”

BOBBY

“Yeah. We might have been out of line back

there … just a smidge. (HE PUTS HIS THUMB

AND INDEX FINGER CLOSE TOGETHER.)

JEFF

“Aw, don’t worry about it. With all of

what’s in our past, a fight was bound to

happen sooner or later.”

STEVE

“Yeah, considering we didn’t have one when

we broke up. Although, we were kinda wrong to

assume that everything was fine between us.”

KENT

“We shouldn’t have been so assumptive

and considered the fact that we might not all

feel like things could get back to before the incident.”

BOBBY

“Yeah, don’t remind me of that.”

JEFF

“Fine. You got it.

JEFF MOTIONS ALL OF THEM TO MOVE CLOSER.

How about we hug it out and be done with it all, huh?”

THEY HUG AND SEAN COMES OVER TO THEM.

SEAN

“Hey, mind if I get in on this action?”

THEY ALL TELL HIM TO BRING IT IN.

THEY HUG AND PUT SOME ICE FROM THE BAGS DOWN SEAN’S BACK. HE JUMPS AND MOVES AROUND TRYING TO GET THE ICE OUT OF HIS SHIRT. THEY LAUGH AND A MONTAGE OF THE CELEBRATION CARRYING ON AND EVERYONE HAVING A WONDERFUL TIME IS SHOWN.

END ACT THREE

TAG

SCENE I

FADE IN:

EXTRA FOOTAGE THAT WE DECIDED NOT TO INCLUDE IN THE ACTUAL SHOW. FUNNY SCENES.

ONE IS SHOWING A TIME LAPSE OF LUKE CRYING. ANOTHER IS SHOWING STEVE GUIDING SHEILA WHILE SHE IS LOOKING AT HER PHONE AND HE ACIDENTALLY GUIDES HER INTO A POST. THE LAST IS STEVE TRYING TO GET OUT OF SHEILA’S GRIP AS SHE WAS HUGGING HIM AND LOOKING AT HER PHONE.

END TAG

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